Wednesday, January 21, 2015

RIMBAUD: FIRST BLOOD.

Yo, Verlaine! That poem sucks!


Sylvester Stallone stars as Rambo in Rimbaud: Première Sang, an action-adventure film in which a young French poet escapes persecution by literary critics and avenges this persecution with surreal verse. “Yo, Verlaine!” says Stallone as Rambo as Rimbaud. “They drew first blood, not me!” Verlaine, played by Bruce Willis, sits in a hovel with Rambo as Rimbaud, having helped Rimbaud elude water cannon and the poetry cannon. On the one hand, Willis plays Verlaine, but on the other hand, Stallone plays Rambo playing Rimbaud. The production crew can’t automatically compute where Stallone ends and where Rambo begins, where Rambo ends and Rimbaud begins. One scene, a bro-mance entitled “Ram-bro”, calls for a passionate fist-bump between Rambo as Rimbaud and Willis as Verlaine. Afterwards, Stallone and Willis compare their future engagements. Willis will appear as a Jewish wine merchant, in a TV series entitled Chico and the Manischewitz. Stallone will appear on a rival network—as a fellow who suffers from gynecomastia—in Chico and the Man Boobs. “Yo, Verlaine!” cries Stallone as Rambo as Rimbaud, but the camera shows the viewer that Willis has departed. Rambo as Rimbaud holds a battered sheet of onionskin to his face. The camera shows a dirty, sweaty, camouflaged man reading verse. He is Rambo one minute, he is Rimbaud another minute, he is a real laughing hiatus. 


Tuesday, November 4, 2014

PAUSE. (ELEGY FOR BLOOD AND GUTSTEIN.)

Recent “now” stats reveal
a few hourly search trends



No impediments, on the last day of your life. The streetcar doesn’t idle at its signal, on the last day of your life. The rain doesn’t slant hard enough to slush your sandals, on the last day of your life. Nowhere does the sidewalk produce a reflection, on the last day of your life. Nowhere do the numerals above doors duplicate the year of your birth, on the last day of your life. Engines howl behind clouds, on the last day of your life. Engines buzz all about you—wet, thirsty, hoarse, reluctant—on the last day of your life. No impediments, on the last day of your life. Lights at eye level, lights above, lights failing, on the last day of your life. People in threes, on the last day of your life. The beige heavy stones of old downtown buildings, on the last day of your life. To the south, not visible, the systolic beat of the river, on the last day of your life. The space between an impulse and a correction, on the last day of your life. The twinge of a tendon.


Thursday, October 16, 2014

EARLY MORNING ARRIVAL OF PASSENGERS WITH BANANA REFLECTION IN WINDOW.




Cast
:
Arriving Passengers
Woman with Banana 

Director:

Dan Gutstein

Running Time
:

1 minute, 25 seconds

Advance Praise:
“A ghostly breakfast, and yet, oddly sensuous!” --Groovie Movie
“Gutstein deftly, deftly gives us a meal in a peel!” --Film Flam
“The somber footfalls of the proletariat like never before!” --Cinema Minima
“As if Lady Liberty welcomed the early shift . . . with a banana.” --Slick Flick
“Gutstein offers us — fiber — in this latest effort.” --Documentary Daily

Vegetation Statement:
An herbaceous flowering berry was eaten during the course of this movie.

Thanks To:

Everyone I know.
My phone.
Trains.
Hunger.
Commuters!

Friday, October 10, 2014

UNDER ARMOIRE.



I’ve got so many athletic commitments—such as clubbing and jumbo slice—that I’ve accumulated numerous pieces of athletic underwear to the tune of closet-busting. You might imagine boxer-jocks dangling importantly from marquee hangers amid my notable suite of salmon-tint Casual Day home kits. So I upped the antechamber. For all my Under Armour, I bought an Under Armoire. Do you know about this? It has room for sporty sock, sporty pant, sporty tote, sporty sideways cap. (I store my sporty cap sideways, in any event, to get it broken in-for athletic commitments such as clubbing and jumbo slice.) I thought it would end there, and by “it” I mean the accumulation of athletic underwear, and by “there”, I mean my Under Armoire, but Nö, I begin to desire greater domination, the way Under Armour conquered the body, one garment at a time. I would like to own an Under Armoured Car and travel the Land Down Under Armour, not to mention purchase shares in the corporate merger that will certainly produce Under Armour & Hammer. I could see this getting way outta hand. If I max my credit cards, what then? Must I appear in Debtors Court? Will my wages get garnished? Will they hand me my money with a sprig of parsley? All because of my insatiable requirement to fill my drawers—with drawers!

Tuesday, September 30, 2014

BOEING THERE.



Imagine Peter Sellers as a dim-witted captain in Boeing There, a movie wherein his character, Chauncey Pilot, unintentionally predicts the course of the economy through the application of flight terminology. Chauncey Pilot doesn’t anticipate that his choice phrases—“taxiing for takeoff”—“climbing into the sky”—“cruising at 500 miles per hour”—will embolden markets overnight. At the same time, this unassuming simpleton receives invitations to chuck out the first pitch at the ALCS, appear with Sully Sullenberger in a PSA concerning the dangers of incomplete astrophysics homework, and select the crucial ping pong ball for the nine-figure lotto drawing. A door opens. Another door opens. Hillary Clinton welcomes Chauncey Pilot into her dwellings for a private chat about who she, the presumptive nominee, should choose to occupy the two-spot on the ticket. (If not him.) An heiress played by Shirley MacLaine later invites the chaste captain to bed but Chauncey declares his preference to catch up on Lifetime reruns instead, forcing the seductress to pleasure herself. MacLaine’s turbulent body nevertheless captures Chauncey Pilot’s attention, reminding him of a chaotic Attitude Indicator on an airplane struggling to level itself during a crisis. He thinks about crisis, about the dark side of his profession: not only the possibility for accidents, but lost luggage, lengthy layovers, and fees for seat selection. In every ascent, he thinks, there follows a descent, and for every acceleration, he thinks, there follows a slowdown, and beyond that, even, a period of idleness. We, the viewers, realize that our way of life rides the cosine waves of Chauncey Pilot’s thinking. If he should he say “accident”—“lost”—“idleness”—“fees” then the economy might darken in correspondence with these terms. Fortunately for us, it’s Peter Sellers acting through these tribulations, what with his slightness of grins. If only the menacing machinery of the real gullible world would admit such a king.


Monday, September 22, 2014

FOX (DISAMBIGUATION).



Yesterday, I accidentally googled Bo Derek. Oh, don’t give me that look, like you haven’t accidentally googled Bo Derek before, yeah right. I accidentally googled Bo Derek three times, which is unusual. In a typical day, I accidentally google Bo Derek five or six times. Hey: don’t ask me what’s going through my mind. What’s going through your mind? What’s going through my mind is how long I can hold out, tomorrow, before I accidentally google Bo Derek. I suppose I could try a diversion, like a Ouija board, but what bothers me about the Ouija board is the fact that it’s a double positive—Oui, in French, and Ja, in German. Besides, I end up accidentally spelling Bo Derek on the Ouija board, Oui, Ja, I do. I thought perhaps I could employ technology to my advantage, so I once selected the “Shaq Diesel” station on Pandora (I wanted to hear Fu Schnickens too, truth be told) but pretty soon I got Bo Diddley, and after that, Derek and the Dominos. So I ended up accidentally googling Bo Derek. I practice other accidental routines, too. Sometimes I accidentally watch the movie, 10. Sometimes I accidentally cruise the disambiguation features on the Internet, so much so, I achieve modest clarity. Sometimes I’m accidentally an okay kind of fella. 

VULPINE FACES.



You haven’t seen vulpine faces for months, yet you worry. You could try a diversion such as activities but what have activities ever gotten you? Besides, there could be vulpine faces at activities. Certainly vulpine faces have attended activities before—and prospered at them. Perhaps you could self-modify, via ritual purification. You could ask exploratory questions like, What do vulpine faces want, within the social contract? Perhaps they don’t want to startle, perhaps they seek to raise their kind in solitude. Vulpine faces might be up the hill, in hiding. They may not know the conflict has ended. They may be reduced to wearing dollar loincloths and bargain cheese cloths. On occasion, a goat goes missing. The villagers, of course, suspect vulpine faces for the goat abduction but what can they prove? It’s one thing to confront vulpine faces whereas it’s another thing altogether for the villagers to live out their years in the traditional ways: their herbs, their raincoats, their dialects, their tire gauges. Hopefully, vulpine faces will walk down the hill in their dingy diapers, hands raised, and surrender. There isn’t an unlimited supply of goats, after all. This is just an example, of course, and the villagers, in the example, haven’t seen vulpine faces “in aeons.” Coincidentally, the Handbook of Vulpine Faces hasn’t been checked out of the library since the oil crisis of the 1970s. Vulpine faces are major countenance types. What if they did appear? They might make bestial demands for cultural dumplings or Verizon service packages. They might invoke Kierkegaard. If vulpine faces did invoke Kierkegaard, would this invocation apply to themselves or to you? It almost certainly would apply to you, pilgrim, as how could vulpine faces express their own despair—unless it was a ruse? You haven’t seen vulpine faces for months so how would you tell them apart from corvine faces, or ursine faces, or tigrine faces? Maybe you’d expect a nightclub singer kind of look with a dress like solar panels. Maybe you’d expect a captain of industry look with political cravats. Maybe you’d expect an urban hipster look with severe onion funk. It’ll get so long between sightings of vulpine faces that future generations will have to be shown caricature artist sketches. Vulpine faces might get confused with curiosity, crackpot, messiah, management, and oblong faces. At least the public funding has been extended—for decades—for the Vulpine Faces Hotline, although anonymous tips must be recorded, in good faith, for a single outsourced employee who, in all probability, will never respond.


Fox Day #1: The Silver Fox On Roosevelt Island
Fox Day #3: Fox (Disambiguation)